I, like a lot of people of my generation, am excited that The Boondocks is returning because it remains one of the sharpest examples of satire in modern pop culture. And I’m excited to see what cultural moments from the last four years (since Season Three aired) Aaron McGruder will work into the show.
UPDATE 3/28/14: Apparently, McGruder is no longer involved with the show and was not involved in the creation of the upcoming 4th season. I wrote this before that information was available. I hope he still owns the rights. Read his explanation here.
But the one thing I really want him to do is recognize that there’s a problem at the center of the show: Huey Freeman.
Huey, by virtue of being the show’s most passive, reactive character, has all but receded into the background in favor of the more flamboyant active characters like Riley and Uncle Ruckus. This, despite the fact that he’s ostensibly the lead character (e.g. the trailer above).
In the strips, that was sort of the point since the satire in the strips was always deeply rooted in Huey’s observations about the world around him (particularly his brother and the people in Woodcrest). But The Boondocks TV show is different, as Aaron McGruder has found by building out the world around Riley (with the addition of Ed Wuncler III, Gin Rummy, Gangstalicious, and Thugnificent) and Granddad (Uncle Ruckus and the DuBois family).
But Huey is frequently adrift in episodes where he’s not the protagonist (especially Riley-centric stories) and damn near silent in ones where he’s the driving force (i.e. “It’s a Black President, Huey Freeman”).
If Huey is to regain the power he had in the strips and truly move to the forefront of the show, McGruder has to build out the world around Huey as well.
And there’s a way to do this:
Posted on March 19th, 2014 - Filed under Television
Tags :: Aaron McGruder, Caesar, cartoon, Cindy, comic strip, Ed Wuncler, Gin Rummy, Granddad, Huey Freeman, Michael Caesar, Riley Freeman, satire, The Boondocks, Tom DuBois, Uncle Ruckus, Woodcrest