For the third year in a row, I felt like this was a better year for individual songs and singles than it was for albums. I suppose it makes a certain kind of sense in a digital era that the industry has returned its focus to singles, rather than albums. But it continues to make for a very frustrating listening experience.
This is not to diminish the great work that I’m about to highlight. It is incredibly difficult to make a great song. Can’t forget that just because most artists today are unconcerned with making complete album experiences.
So without further ado, hit that jump for the 15 songs that I consider the very best songs that I heard in 2013
Continue reading Best Songs of 2013
I think if you’ve followed Kelly Rowland’s career, you’ve always gotten the sense that she was holding something back. Like she was afraid to be as magnificent as we all know she can be. There was always the sense that we weren’t getting the full extent of her artistry. And not because it wasn’t there, but because she didn’t quite believe in it.
Every album had magnificent moments – Beyond Imagination, Haven’t Told You, Love, Like This, Motivation, Keep It Between Us – but they seemed incidental. Accidental. There didn’t seem to be much effort behind anything she was doing. The background singer destined to be a star, but never quite comfortable anywhere but in the back seat.
So when I listen to Dirty Laundry, it plays as a stunning admission of her crushing insecurity more than anything else. Sure, we learn about Kelly having suffered domestic abuse and that she has complicated feelings about Beyonce’s solo success, but that’s just not what the song is telling me emotionally.
“who wanna hear my bullshit?”
It doesn’t feel like we’re reliving something she’s moved through. We’re living something she’s still in…with her. The song doesn’t turn on an awakening. It doesn’t turn at all. We are sitting in her insecurity with her.
Those five little words are almost an aside in the structure of the song. As if she’s still not quite sure. Even now when she’s being as revealing and honest as she’s ever been, I still get the sense that she’s struggling against a profound sense that no one cares at all about Kelly Rowland. It’s riveting, but I have to wonder what is next.
I want this song to represent a turning point in her career. A point that we’ll all look back and say “that was the moment Kelly Rowland started to become a great artist.” But I worry that this will be the only song on the album that gives us something uniquely Kelly.
I sincerely hope she doesn’t think one song is enough.
I’m rather opinionated about music. Folks know this.
And while all that
frustration criticism comes through loud and clear when I write or tweet, I’m definitely not as good at communicating that I understand and respect how profoundly difficult making music really is.
I thought about this when I came across this Tyrese quote on Singersroom.com:
“Producers these days are lazy. Making tracks. Sending emails. I’m just saying. When you make music under the same roof, with the actual artist that you’re working with, everybody is praying together, eating together, laughing together. It’s a different kind of nuance that’s created around music.” (emphasis mine)
I do think there’s something profoundly special about the music that can come from songwriters, producers and artists spending time together crafting music that the artist feels a close connection to because that artist has had some input into making it, but with that understanding comes a deeper understanding that I think critics of black music don’t articulate nearly enough: what Tyrese longs for is the exception in the music industry, not the rule, particularly with black popular music.
In other words, a lot of people aren’t afforded the luxury of getting into a room with the best songwriters and producers and creating something that they can feel has the personal touch because that’s not the kind of artist they are intended to be, whether they know it and acknowledge it or not. We should be honest about this fact.
Continue reading What’s the Best Way to Make Music?
Like last year, I didn’t think 2012 was a strong year for albums. But there were a good number of individual songs that I loved this year.
Here are the first 10 after the jump.
Continue reading Best Songs of 2012 (20-11)
Kelly finally gets around to releasing the best song on her album, Here I Am
And it’s just lovely. Who doesn’t love the gorgeous Lance Gross?
Of course, it’s too late for that album to do anything. This should have been the second single and it should have dropped right at the moment Motivation was peaking.
But … yea, Kelly stays losing.