There is no other young black artist who still engenders as much goodwill despite not having a hit song in nearly a decade as she does. People really want her to succeed again.
And it looks like Brandy wants to get it right this time too.
Of course, all the black music blogs are focusing on that “I really feel like this is my last chance” remark because it naturally leads one to question whether or not that goodwill everyone has for her might run out if the new album disappoints. I get that, though I think it’s not really the right question.
Also, this album is NOT limited, I am not allowing ANYONE to put me in a box, with sound. That’s not where I belong. The album IS consistent sonically and I am writing, creating, having fun, and healing………it’s been a BLAST!!!
doesn’t make me want to hear your album. Not if that “consistent sonic” palette is just your way of saying you’re going forward with Europop even though no one likes that idea and it doesn’t serve you well at all.
The irony about En Vogue is that they didn’t change the game nearly as much as they probably should have. It’s almost like every other set of girls just said “we ain’t even gonna try to compete, that ‘actually being able to all sing and harmonize and share lead vocals’ lane belongs to En Vogue and Xscape, we’ll go over here and be broke ass Supremes.”
Don’t you think?
Anywho, the point here is:
En Vogue is back
Them voices ain’t changed a bit.
Cindy Herron Braggs does not age (and is she taller?)
Dawn can sing the same song over and over for 20 years and find new wrinkles in it and make you think you’re hearing it for the first time.
I CANNOT WAIT FOR THEM TO BRING THE FIRE!!!!
Note: the fire is not a Timbaland, Pharrell, or Polow produced joint, ladies. Call Mike City and Ray Ray NOW.
702 should have been huge stars. Jealousy is a perfect showcase for why I think this is true. The song is not single-worthy in the conventional sense, as it structurally has small ebbs and flows instead of crescendos and sweeping arrangements. It is a wonderful mood piece that gives lead singer, Meelah, an opportunity to invest a very simple melody with stunning, subtle emotional beats, much the way great blues singers do.
On this song, she reminds me of Aaliyah on her greatest songs. With Meelah on lead, Jealousy is really about sadness. It’s about disappointment. Rather than perform the song as written (anger or even denial), Meelah fills the song with a sadness that gives the song emotional resonance it wouldn’t have otherwise. Particularly with the bridge and the final adlibs, Meelah slowly, artfully breaks down. And when the song just ends, you know there is so much left there.
I’ve always fancied myself something of an A&R guy. And in that delusion, I do have some real thoughts about how some people should be running their careers. I put together this post in case these artists happen to frequent visit this blog.