Tag Archives: soul music

Best Songs of 2012 (20-11)

Like last year, I didn’t think 2012 was a strong year for albums. But there were a good number of individual songs that I loved this year.

Here are the first 10  of the best songs of 2012 after the jump.


Continue reading Best Songs of 2012 (20-11)

R. Kelly’s Joyous Sound

I hadn’t been able to articulate why R. Kelly’s two-album retro excursion, which has culminated in the just-released (and very lovely) Write Me Back, is superior in every. single. way. to Raphael Saadiq’s similar two-album experiment.

Until I saw the video for R.’s latest single, “Feelin Single.”



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Tyrese – ‘Stay’

Yet one more reason why Tyrese should give up books, movies, and Twitter.



I actually admire Tyrese a lot for making this the lead single from his upcoming album. This is not the kind of song that fits anywhere on the radio right now. 

I love the retro Al Green feel to this. It even sounds like it was recorded with the background vocalists in the same room with Tyrese. There's a chemistry to the interplay between the lead and the backgrounds that I don't think you can really manufacture in the usual way. The imperfect mix of the backgrounds I think actually makes it sound even more retro than it might have otherwise.

If there were any justice, this will be a hit.

The Evolution of Jill Scott

The most enjoyable thing about Jill Scott’s evolution is watching her become increasingly comfortable showing how much she revels in being a beautiful woman.

I didn’t really care for her first studio album and much of her second – too much coffeehouse pretension and abstraction in the lyrics for my tastes – because I felt on those early records that she was writing songs that she thought fit the image of her (mother soul goddess) rather than songs that let us connect with the woman behind the image. And that wasn’t all that interesting to me. To have all that voice and just sing about generic sentiment seemed a waste.

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Whitney 2.0

With the release of this single, "Where You At," I think it's clear that Jennifer Hudson is Clive's new Whitney.



This is awful in every single way. It's the worst kind of manipulative pop schlock, all sweeping instrumentation, pointless crescendos, and even more pointlessly held notes.

We get it. Jennifer Hudson has a powerful voice.

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